Review of The Hazelbourne Ladies Motorcycle and Flying Club by Helen Simonson

When I stumbled upon The Hazelbourne Ladies Motorcycle and Flying Club, I’ll admit it was the charming premise that drew me in—women on motorcycles and an adventurous spirit in post-World War I England? Count me in! Author Helen Simonson, known for her beloved novel Major Pettigrew’s Last Stand, has woven her knack for creating captivating characters into a fresh narrative that both entertains and provokes thoughtful reflection on the societal norms of the time.

Set in 1919, the world has just emerged from the turmoil of war, a period during which women rose to fill roles traditionally held by men. The story revolves around Constance Haverhill, a recently displaced estate manager trying to navigate the aftermath of conflict and the societal expectations that accompany her gender and class. Her journey begins while accompanying a family friend to the seashore, a stopgap role as she faces an uncertain future. Constance’s character is relatable to anyone who has ever felt adrift, unsure of their place in a changing world.

Then there’s Poppy, the fearless young woman from wealth who brings Constance into her motorcycle club and into thrilling escapades. Poppy embodies that intoxicating blend of audacity and privilege; she defies conventions with her penchant for trousers and motorcycles, literally and metaphorically racing towards freedom. Their contrasting lives illuminate the class divisions of the era, as Constance is ever conscious of her precarious position compared to Poppy’s luxurious safety net. Simonson deftly captures this dynamic, expertly highlighting the weight of respectability that Constance bears—“Respectability was the currency in which Constance knew she just trade for the foreseeable future.”

The novel’s pacing never falters; Simonson’s engaging writing style balances humor and gravity, threading sharp commentary through the narrative. I found myself laughing at the absurdity of the wealthy onlookers who derisively label Poppy as unladylike, while simultaneously feeling the sting of the deep-rooted prejudices that infiltrate social interactions. A poignant moment arises when Constance reflects on her status after being told that she cannot mingle with the clientele of the hotel where she briefly finds employment—a stark reminder of the rigid boundaries imposed by class. Her acknowledgment that “wherever she goes, her friend Poppy will use the front door,” is both heart-wrenching and illuminating of the barriers women faced, even in light of recent advancements.

While the characters are largely well-crafted, I felt the story could have benefited from more complex portrayals of its antagonists. Simonson’s villains often appeared one-note, which slightly diluted the tension at times; however, this is a small quibble in an otherwise delightful read.

The Hazelbourne Ladies Motorcycle and Flying Club is a beautifully written exploration of friendship, class, and the fight for autonomy. I wholeheartedly recommend this novel to anyone who loves historical fiction with a sharp wit, great character development, and a sprinkle of adventure. It’s a read that resonates with contemporary themes of empowerment and social inequality, making it perfect for book clubs or anyone looking for a summer escape into a world where the horizon beckons with possibility.

In many ways, Simonson’s novel became a mirror reflecting both the challenges of its time and the enduring relevance of its sentiments today, leaving me both entertained and inspired. So, if you’re ready to ride along with the audacious women of Hazelbourne, grab your copy and prepare for an exhilarating journey.

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